Best New Comic Covers This Week 1-14-26
Best New Comic Covers This Week 1-14-26
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Best New Comic Covers This Week 1-14-26
Best New Comic Covers This Week brings a strange kind of order to chaos, and Battleworld #5 by Mike McKone might be the most quietly threatening example of that. Storm stands centered and grounded, not floating, not posturing, just existing in a space that’s clearly given up resisting her. Lightning doesn’t frame her so much as obey her, slicing through the background like a warning rather than a spectacle. McKone leans into restraint here, letting posture and expression do the heavy lifting while the yellow energy turns the entire cover into a pressure chamber. The cracked rubble beneath her feet littered with “apprehended” posters reads like a victory lap nobody bothered to celebrate. For collectors watching how Battleworld visuals may age, this cover feels less like a loud event piece and more like a controlled moment that could quietly matter later, which is exactly why it sticks. Best New Comic Covers This Week thrives on covers like this that don’t beg for attention, they assume it.
Logan: Black, White & Blood #1 by Alex Maleev is doing the opposite and still somehow feels disciplined. Maleev strips Wolverine down to raw movement and rage, rendered in violent charcoal textures that feel scraped onto the page rather than drawn. The limited palette works overtime, with red used sparingly but surgically, turning each blood streak into a punctuation mark. Logan isn’t posed heroically or cinematically, he’s mid-lunge, half-formed, almost unfinished, like the page couldn’t keep up with him. This is the kind of cover collectors circle because it doesn’t age like trend-driven art. It ages like a statement piece. Best New Comic Covers This Week doesn’t need gimmicks when you have this kind of brutal minimalism doing the work.
DC K.O. #3 by Mike Del Mundo takes the concept of confrontation and reduces it to symbolism so blunt it becomes clever again. The Joker stands small and smug, saluting inside a massive Omega-shaped inferno that dominates the entire composition. Del Mundo’s color control is doing all the storytelling here, with molten reds and yellows swallowing the page and leaving Joker almost incidental, which somehow makes him more unsettling. The playful grin against apocalyptic scale feels intentional, like a joke that only lands because it’s told at the wrong time. Covers like this are collector catnip because they feel designed to be remembered, not just consumed. Best New Comic Covers This Week benefits from art that understands iconography as value.
Switching tones completely, Supergirl #9 by Sophie Campbell delivers a clean, confident throwback energy that feels refreshingly unbothered by modern excess. Supergirl flies straight toward the reader, arms extended, expression focused but calm, framed by open sky and nothing else. Campbell’s linework is crisp and expressive, leaning into clarity rather than over-rendering. It’s a deceptively simple composition that reads instantly and stays readable at any size, which matters more than people admit. For collectors, this is the kind of cover that works just as well on a wall as it does in a long box, and Best New Comic Covers This Week always respects covers that understand balance.
Best New Comic Covers This Week 1-14-26
DC K.O. #3 by Lucio Parrillo is pure controlled spectacle, a warrior-pose Wonder Woman emerging from water inside a cavern lit like a myth being remembered incorrectly. Parrillo’s signature realism is on full display, with reflective surfaces, sculpted anatomy, and dramatic lighting doing most of the talking. This cover doesn’t rush the eye, it invites it to linger, rewarding detail hunters and collectors who appreciate painterly finishes. It feels premium by design, the kind of variant people regret skipping once aftermarket conversations start. Best New Comic Covers This Week thrives when fantasy and collectibility meet this cleanly.
Rounding it out, DC K.O. #3 by Carla Cohen leans into theatrical danger, presenting Zantanna surrounded by fire, framed like a stage illusion gone wrong. The flames aren’t chaotic, they’re curated, curling around the figure in a way that feels intentional rather than destructive. Cohen blends elegance with menace, creating a cover that feels both stylized and threatening without tipping into parody. It’s the kind of visual that sparks speculation simply because it looks important, and Best New Comic Covers This Week always keeps an eye on covers that feel like future reference points rather than one-week wonders.
Best New Comic Covers This Week 1-14-26
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