Best New Comic Covers This Week 11-12-25
Best New Comic Covers This Week 11-12-25
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Best New Comic Covers This Week 11-12-25
New Comic Book Day hits again, and this week’s covers prove artists aren’t just making variants—they’re flexing. The pencils, the paints, the chaos—it’s all on display. We’re talking patriotic Spidey, storm-level fashion, and even a Predator who looks like he skipped subtlety class. Each piece of art this week is the kind you hang, frame, or overanalyze in your group chat while pretending not to be jealous. Let’s break down the best new comic covers this week and see which ones might just end up in your long box—or on your wall.
1776 #1 – Pablo Villalobos
Villalobos gives Spider-Man a full Founding Father moment as he crouches over the Liberty Bell with the American flag rippling behind him. The whole thing screams comic-book patriotism at its loudest volume, like Spidey just decided to rebrand as the Spirit of Independence. It’s ridiculous and majestic in equal measure—the kind of cover that would make even Ben Franklin fist-pump.
Spider-Man & Wolverine #7 – Kaare Andrews
Andrews goes full split personality—half Wolverine snarl, half Spidey glare, all intensity. Behind them burns a cityscape of chaos and ninjas, because of course. The symmetry is perfection; it’s the buddy-cop movie poster nobody asked for but everyone would watch.
Ultimate Wolverine #11 – Salvador Larroca
Larroca brings a clean, fierce, no-nonsense Wolverine soaring through open sky, claws first. The perspective is sharp, the coloring simple, and it radiates control amid savagery. This is the Logan of the future—less bar fight, more calculated strike.
Best New Comic Covers This Week 11-12-25
Youngblood #1 – Ryan Stegman
Stegman revives the 90s excess with pure nostalgia and heavy metal swagger. Muscles, weapons, glowing effects—it’s all there, unapologetic and self-aware. It’s Rob Liefeld’s chaotic energy reborn through Stegman’s modern linework, proving some eras never die, they just get sharper pencils.
Predator: Badlands #1 – CAFU
CAFU goes for cinematic realism that would make Ridley Scott jealous. The Predator snarls into frame, blade lit, blood dripping, and every texture feels carved from nightmare fuel. The lighting’s movie-grade, the perspective’s menacing, and it makes you realize you’d never survive five minutes in this universe.
Rogue Storm #2 – InHyuk Lee
Lee strikes again, and this time it’s Storm strutting like a goddess on a runway made of lightning. The confident pose, flowing hair, and futuristic leather create the kind of energy that could power Krakoa for a week. It’s fashion meets thunder—and Lee makes it look effortless.
Blood & Thunder #7 – Khary Randolph & Emilio Lopez
Randolph and Lopez crank up the neon chaos with a red-haired powerhouse mid-blast through an electric storm. Her pose says “I’m done talking,” while her weapon says “You’re done existing.” The coloring’s explosive, the energy’s manic, and the result is pure Image Comics attitude—aggressive, kinetic, and unapologetically loud.
Fantastic Four #5 – InHyuk Lee
Lee transforms Sue Storm into a high-fashion icon. Forget invisibility; this cover makes her impossible to ignore. Wrapped in a trench coat and scarf over an FF hoodie, she looks like she’s heading to a photo shoot after saving the world. Lee’s ultra-clean realism continues to prove he can make superhero couture a thing.
Best New Comic Covers This Week 11-12-25
Marvel Black, White & Blood and Guts #2 – Creees Lee
Creees Lee captures the kind of brawl that defines Marvel’s DNA—Thing vs. Hulk, snow flying, fists colliding, trees breaking. The anatomy’s insane, the motion is relentless, and the raw sound of this fight practically vibrates off the page. It’s one of those covers that feels like it’s punching its way out of your long box.
Action Comics #1092 – Skylar Patridge
Patridge dials down the superhero chaos and gives us teenage nostalgia. Clark looks like he just realized he’s the only kid in the class who can bench-press the school bus, while Lois casually doodles “Superboy” hearts in her notebook. It’s painfully charming, painfully awkward, and very human—the type of cover that reminds everyone Superman wasn’t born cool, he had to earn it.
The Amazing Spider-Man: Torn #2 – Gabriele Dell’Otto
Dell’Otto delivers what he does best: tension wrapped in painterly dread. Spidey’s standing on the edge of darkness, lit in shades of scarlet and black like he’s moments away from breaking apart. The webbing is almost violent, the texture practically sweating emotion. Dell’Otto never paints covers; he stages emotional breakdowns with spandex.
Batman: Dark Patterns #12 – Hayden Sherman
Sherman strips Batman bare—figuratively and literally—as the Caped Crusader rewraps himself in torn bandages, each patch of orange contrasting that deep midnight blue. It’s gritty, minimalist, and quietly brutal. A reminder that Batman bleeds like the rest of us, he’s just better at covering it up.
Batman: Gotham by Gaslight A League for Justice #5 – Freddie E. Williams II
Williams’ art feels like it came straight from a fever dream powered by steampunk caffeine. Batman bursts forward through the snow with a Victorian vengeance, surrounded by ghostly echoes of his Justice League peers. Every gear, cape fold, and snowflake looks hand-forged in madness. Gotham by Gaslight has never looked this operatic.
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