Best New Covers This Week 1-7-26
Best New Covers This Week 1-7-26
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Best New Covers This Week 1-7-26
Venom #253 – Carlos Gomez
Carlos Gomez leans into close-quarters tension, framing Venom in an intimate, confrontational moment. The composition focuses on proximity, faces nearly touching, weapons raised, and teeth bared. Gomez’s expressive faces and tight framing make the scene feel claustrophobic, as if violence is inevitable and imminent. The contrast between glossy blacks and warm highlights adds to the pressure, making this cover feel less like a spectacle and more like a threat.
Absolute Green Lantern #10 – Mirka Andolfo
Mirka Andolfo leans fully into mood and symbolism rather than spectacle, giving this Green Lantern cover a quiet, suspended tension that feels intentional. AGL floats inward, almost curled into themselves, framed by the glowing emerald icon that dominates the background like a cosmic judgment ring. The lighting is soft but electric, with subtle crackles of energy suggesting power that’s being contained rather than unleashed. Andolfo’s character work is the real draw here, expressive eyes, relaxed posture, and a sense that this Lantern is thinking rather than reacting. It’s a cover that trusts restraint and lets atmosphere do the heavy lifting, which makes it linger longer than a standard power-pose splash.
Youngblood #3 – Kaare Andrews
Kaare pays homage to Rob Liefeld, and we love it. Kaare Andrews injects raw intensity and motion into this Youngblood cover, emphasizing speed and impact. The characters charge forward with exaggerated movement, weapons firing, and expressions locked in aggression. Andrews’ gritty linework and heavy shadows give the piece a visceral, almost violent momentum. It feels chaotic by design, echoing the excess and attitude that defined the era while still feeling contemporary.
Poison Ivy #40 – Kyuyong Eom
Kyuyong Eom presents Poison Ivy with a striking mix of beauty and danger, leaning into her physicality without losing menace. Ivy’s relaxed posture contrasts sharply with the carnivorous plants surrounding her, reinforcing the idea that this environment is hers to command. The lighting highlights muscle definition and expression, grounding the fantasy in something tactile and real. Eom’s attention to detail, from the foliage to Ivy’s confident gaze, gives the cover a seductive calm that feels far more threatening than overt aggression.
Best New Covers This Week 1-7-26
Absolute Superman #15 – Rafa Sandoval
Rafa Sandoval takes the opposite approach of artist Gerald Parel’s AS #15 cover, delivering a clean, heroic flight shot that leans into scale and classic iconography. Superman soars above the city with confidence, red cape spreading wide behind him like a banner across the sky. The city below is detailed but orderly, reinforcing the idea that this is a world still intact because he’s watching over it. Sandoval’s anatomy and perspective are polished and deliberate, presenting Superman as stable, powerful, and in control. It’s a reminder of why this visual language has endured for decades, and why collectors still gravitate toward covers that feel timeless.
Youngblood #3 – Rob Liefeld
Rob Liefeld delivers a character-packed cover that leans fully into scale, muscle, and bravado. The central figure dominates the composition, flanked by a lineup that feels like a roll call of power. Liefeld’s signature style is on full display, exaggerated anatomy, bold colors, and an unapologetic sense of spectacle. This cover isn’t subtle and doesn’t pretend to be. It exists to announce presence, and it does exactly that.
The Amazing Spider-Man #19 – Lee Garbett
Lee Garbett strips Spider-Man down to isolation and vulnerability, placing him against a vast, dark void filled with drifting debris. The figure feels small and off-balance, clinging to motion rather than control. Garbett’s use of negative space does most of the storytelling here, making the environment feel cold and indifferent. This isn’t a triumphant swing through the city, it’s a moment of uncertainty, suspended between danger and survival. It’s a quiet cover that rewards attention rather than demanding it.
DC K.O. Knightfight #3 – Dan Mora
Dan Mora brings pure kinetic energy to this cover, presenting Batman in motion with multiple incarnations framing the action. The color blocking is bold and graphic, splitting the composition into distinct visual zones that immediately catch the eye. Mora’s Batman in the foreground feels aggressive and mid-strike, while the alternate versions behind him act like echoes or challengers. It’s stylish without being messy, dynamic without being confusing. This is the kind of cover that looks designed to be remembered at a glance, which is exactly why Mora’s work consistently resonates with collectors.
Best New Covers This Week 1-7-26
Absolute Superman #15 – Gerald Parel
Gerald Parel delivers a raw, almost violent expression of Superman that trades heroic clarity for emotional overload. The Man of Steel arches backward as red energy and heat seem to erupt outward, consuming the composition in painterly chaos. Parel’s loose, textured brushwork gives the impression that Superman isn’t just battling an external force, but being torn apart by pressure, responsibility, or consequence. The S-shield is still there, but it feels secondary to the eruption of color and motion surrounding him. This cover feels less like a moment of victory and more like a breaking point, which is exactly why it stands out.
Godzilla #6 – Nikola Čižmešija
Nikola Čižmešija delivers a monster cover that embraces scale and inevitability rather than chaos. A direct nod, homage to Jurgens and Breeding. Godzilla’s massive head dominates the page, with human figures reduced to small, almost insignificant shapes at the bottom. The flag planted in the rubble adds a quiet, unsettling symbolism, suggesting survival, defiance, or futility depending on how long you stare at it. Čižmešija’s heavy inks and textured surfaces give Godzilla a weight that feels ancient and unstoppable. This isn’t about action, it’s about consequence, and that makes the image feel heavy in the best way.
Ultimate X-Men #23 – Francesco Mobili
Francesco Mobili delivers a high-energy, modern X-Men cover centered on speed, electricity, and forward motion. Magik bursts out of the composition, lightning crackling around them and bleeding into the background. Mobili’s sharp lines and angled shapes give the piece a futuristic edge, while the glowing wheel beneath the figure anchors the motion. It feels fast, loud, and intentionally aggressive, like a statement piece meant to signal escalation within the series.
Venom #253 – Clayton Crain
Clayton Crain delivers a classic Venom pose elevated by his signature painterly textures and dramatic lighting. Venom lunges forward, tongue extended, muscles exaggerated and slick with highlights that make the character feel wet, heavy, and alive. The clean background keeps all focus on the figure, emphasizing motion and ferocity. Crain’s Venom always feels monstrous first and humanoid second, which is exactly what fans expect and why his covers remain instantly recognizable.
Best New Covers This Week 1-7-26
X-Men #23 – Ivan Talavera
Ivan Talavera brings a polished, cinematic realism to this X-Men cover, focusing on portrait-level detail and controlled lighting. The character’s glowing eyes and sharp armor elements create a regal, almost mythic presence. Talavera’s rendering style emphasizes smooth gradients and dramatic contrast, giving the piece a premium, poster-like quality. It feels less like a moment from a fight and more like a declaration of identity and power.
Cheetah and Cheshire Rob the Justice League #6 – Nicola Scott
Nicola Scott turns this into a playful yet dangerous ensemble moment, balancing multiple characters without losing clarity. The Justice League is depicted mid-chaos, while Cheetah and Cheshire feel like the true focus, confident, composed, and clearly enjoying the situation. Scott’s clean linework and expressive faces sell personality first, action second. There’s a sense of movement across the entire piece, but it never feels cluttered. The cover reads like a snapshot taken seconds before everything completely falls apart, which makes it feel alive and story-driven rather than posed.
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