Best New Covers This Week 10-15-25
Best New Covers This Week 10-15-25
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Best New Covers This Week 10-15-25
Every Wednesday brings its share of flashy variant covers and overhyped exclusives, but New Comic Covers This Week on October 15, 2025, hit a different level of “take my money.” Some artists seem to use a pencil like a weapon, others like a scalpel, but this batch? They came to remind collectors why the art sometimes outshines the story. These are the covers that make you pause mid-scroll, check your pull list twice, and start justifying that extra slab space.
Catwoman #80 — Frank Cho: Selina is mid-stride in a sleek, textured catsuit, grinning like she already swiped the prize and left the alarm blinking. A bright red outline frames the entire scene, while her crimson whip loops playfully through the air like a ribbon she can weaponize at will. A tiny speech balloon taunts with “Catch me if you can,” because of course it does, and a lone bat flutters in the empty white space like Gotham’s least effective chaperone. Along the bottom border, three minimalist red-line cats trot in sequence, echoing her motion and turning the page into a minimalist chase scene. The heavy white negative space makes every detail pop, so the only thing louder than the outfit is the confidence. It’s Selina doing cardio, larceny, and brand management all at once. Batman / Superman: World’s Finest #44 — Adrian Gutierrez: The cover basically declares “ROAD TRIP” in billboard-sized block letters while Robin and Supergirl stand back-to-back with matching smirks that say they’re absolutely not using GPS. Robin plants his boots like the team’s self-appointed navigator, utility belt stuffed with gadgets that will definitely not help with directions. Supergirl leans in with a relaxed, almost breezy posture, skirt and cape catching the light as if Metropolis’ skyline itself is showing off behind them. The horizon is a pale, sun-bright gradient that pushes both heroes forward, and the city silhouettes sit low, keeping the duo front and center. It’s bright, clean, and effortlessly modern, a poster-ready snapshot of two personalities who will argue about playlists at Mach 3. Ghost Pepper #4 — Ludo Lullabi: A scarred, white-haired bruiser dominates the foreground, shoulders hunched and eyes shadowed, looking like he could carry an entire kitchen on his back and still complain it’s underseasoned. Behind him, teammates crowd a battered counter inside a retro-futurist space, while the jagged logo scrawls across the top like it was painted with pure capsaicin. Angled panel lines and scattered debris give the scene a restless energy, as if the room itself has been sautéed. Colors shift from sickly greens to hot yellows, adding heat shimmer to the already volatile setup. Every surface looks nicked, scraped, or dented, implying an argument happened here and the table lost. It’s culinary chaos with a side of impending regret. G.I. Joe #12 — Jamie Tyndall: A blonde Cobra operative poses with a long rifle that looks engineered to solve arguments from several rooftops away, set against a smeared, blood-red Cobra sigil that oozes down the wall. The concrete behind her is cratered with spiderweb bullet impacts, each crack a souvenir from someone who aimed poorly. Black latex armor and red tactical panels cling like a second skin, holsters and magazines stacked with the kind of obsessive neatness only villains have time for. Her look over the shoulder is half invitation, half dismissal, like she’s already picked her target and it isn’t you. The gradient from steel gray to arterial red turns the whole surface into a warning label you can’t peel off. Fantastic posture, terrible life choices, immaculate gear. Iron & Frost #1 — Yasmine Putri: Diamond-form Emma Frost gazes past the viewer while holding a cracked, glowing device that hums with a red, almost molten light, tiny embers lifting off it like it’s warming the air. Her crystalline facets catch blues, violets, and pale pinks, refracting the scene into a mosaic of sharp edges and cool reflections. White-and-gold costume lines slice neatly across her shoulders, undercutting the organic shimmer with crisp geometry. The gadget’s torn cables dangle from her hand like nerves, which does wonders for the whole “this is dangerous but I’m bored” mood. Background shadows recede into a soft, smoky 
dusk, giving her the stage and the spotlight. Cold beauty, hot problem, measured indifference. Nightwing #131 — Dustin Nguyen: Rain needles straight down as Nightwing crouches on a bat-shaped gargoyle, the city behind him rendered in soft mauves and wet grays like a watercolor memory. Streams of water sheet off his shoulders and drip from the stone, carving pale rivulets through the scene so the storm feels alive. Blurred towers and a distant clock spire glow through the haze, hinting at a city that never sleeps but often sulks. His posture is coiled and quiet, chin tucked, every muscle ready to spring, yet the moment holds like a held breath. Streaked verticals of rain become the panel lines themselves, and the whole page hums with patient tension. It’s an after-midnight pause before the next bad idea jumps first. Spawn: Deadly Tales of the Gunslinger #12 — Björn Barends: Gunslinger Spawn levels a revolver straight at the viewer, skeletal face half-hidden under a ruined hat while neon-green eyes burn through the grime. His duster flaps in ragged strips, exposing a chest that looks like it’s been stitched, scorched, and renegotiated with the afterlife more than once. Spiked gauntlet, dangling chains, and a stubborn cigarette sell the outlaw myth, but the sickly green backlight turns the swampy background into something infernal. Textures pile up—scored metal, cracked leather, torn cloth—so you can practically feel the grit under your nails. Smoke curls from the barrel and the Marlboro alike, because restraint is not on the menu. The vibe is “duel at dusk,” except dusk brought company. Teenage Mutant Ninja Turtles: Shredder #2 — Michele Bandini: Shredder stands in profile with fists clenched, metal armor rim-lit by a storm of bright, slicing embers. The logo above him carves into the sky like a blade, while streaks of light whip across the figure to suggest speed, heat, and imminent trouble. Sharp gauntlets, strapped plates, and that iconic helm read as forged rather than worn, the edges glowing like metal just pulled from the coals. A warm orange field swallows the background, so his silhouette becomes the entire statement. It’s a tempering scene—heat, pressure, and an unyielding shape refusing to bend. When the sparks settle, you’ll still be staring. The Amazing Spider-Man #14 — Cory Smith: A wide-angle city canyon tilts dramatically as Spider-Man arcs across the open sky, sunlight turning his leap into a perfect midair freeze-frame. Skyscraper windows stack into a geometric grid that funnels the eye toward the figure, while the trailing web line scribbles a little signature around the clouds. The palette stays crisp and daytime clear—clean blue sky, crisp stone, bright costume—so the acrobatics feel effortless rather than frantic. The buildings are pushed into bold diagonals, giving the page that vertigo hit without a single shaky cam trick. You can almost hear the gentle thwip in the calm, which is the most Spider-Man thing imaginable. A quiet flex, executed at forty stories up.
Best New Covers This Week 10-15-25
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