Best New Covers This Week 11-26-25
Best New Covers This Week 11-26-25
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Best New Covers This Week 11-26-25
Daredevil Punisher: The Devil’s Trigger #1 – Cover by InHyuk Lee
InHyuk Lee gives Elektra a full runway-strut level entrance here, except the runway is replaced by a stark white backdrop and a set of stacked geometric color blocks that make the whole piece feel like a minimalist fashion editorial disguised as a comic cover. Elektra walks straight toward the viewer, posture relaxed but completely sure of herself, carrying one sai casually against her shoulder while the other hangs at her side. Her head is turned slightly to the left, giving that effortless side-glance confidence as her black hair drapes across her red beanie and down her jacket. Her outfit mixes tactical streetwear with Lee’s signature sleek digital polish: a cropped black jacket with hard folds, a deep red armored top, and cargo-style pants with hanging straps and subtle red accents that tie into the rest of her palette. The wrapped red arm guards and shin covers give a nod to her classic look, but the modernized textures make everything pop against the clean, uncluttered background. Lee’s lighting is soft and directional, giving each piece of fabric a smooth reflection while still highlighting the sharp edges of her sais. There’s no action, no battle, no chaos — just Elektra walking forward like she’s already decided the fight is over and she’s simply going to collect the confirmation.
Detective Comics #1103 – Cover by Mikel Janín
Mikel Janín sets this one in a rain-soaked neon city that looks caught between modern tech and urban decay. In the foreground, a detective crouches low, flashlight angled toward a chalk outline on the pavement. Her expression is focused, hair pushed aside by the wet wind, giving the scene a grounded police-procedural weight. Behind her, Batman stands with that unmistakable immovable posture — cape draped downward, shoulders squared, mask reflecting the teal glow from the city signs around him. High above, Superman floats in the rain, hands at his sides, illuminated by the faint haze of distant lights. Wires, signage, and towering structures give the entire piece a layered depth, making it feel like Gotham and Metropolis collided into one moody, atmospheric visual. Janín’s clean, deliberate line work turns the whole cover into a quiet moment just before everything unravels.
Justice League Unlimited #13 – Cover by Jeff Spokes
Jeff Spokes delivers a sleek, sharply lit lineup shot that feels like a recruitment poster disguised as a superhero portrait. Batman stands front and center, head slightly lowered, the bat-symbol reading like carved armor across his chest. The suit’s plating catches the light with smooth gradients, emphasizing his build while keeping the palette controlled and muted. Behind him, the Flash appears on the left, eyes narrowed and lightning glinting off the red of his mask. On the right stands Black Lightning, arms crossed, expression set, his visor cutting a clean line across his face. Spokes surrounds them with a bright, white backdrop that eliminates distraction and puts all emphasis on posture, attitude, and presence. The composition is simple but intentional, letting the trio feel iconic without shouting for attention.
Best New Covers This Week 11-26-25
Black Cat #4 – Adam Hughes
Adam Hughes doesn’t need a full room, props, or even a change of palette to steal attention. He drops Felicia Hardy into a tight grid of neon green laser lines, letting the negative space swallow everything except the areas where she’s deliberately slinking between security layers. She’s low to the ground, hair falling in liquid white strands that sweep across the floor like loose silk. The heavy black shadows hide most of her suit, leaving Hughes to emphasize shape with contrast rather than detail. It’s stylish, slick, and built entirely around attitude — the kind of visual confidence that makes it clear she’s already halfway through the vault before anyone notices the alarm never went off.
Infernal Hulk #1 – Nic Klein
Nic Klein leans into chaos the way only he can, giving the Hulk a body carved out of jagged muscle and unnatural color. The creature stomps forward through a ruin of broken stone and burning ground, each footstep cracking the earth like the world is giving up trying to survive him. His face splits into a grin that isn’t remotely friendly, glowing with a sick green light that runs from his head, down his mouth and through his chest like something corrosive is trying to claw its way out. Klein’s scratchy line work, the tortured color gradients, and the warped scale all contribute to a version of Hulk that feels mythic, volcanic, and unapologetically monstrous.
Ultimate Spider-Man #1 – Joshua Cassara
Joshua Cassara goes wide and airy, letting Spider-Man swing across an early-morning Manhattan wrapped in a soft blue haze. The sun sits directly behind him, turning his silhouette into a sharp cutout surrounded by a halo of white light. Below, the city is rendered with the kind of weathered, grounded detail Cassara excels at — worn bricks, rusty metal fixtures, aged signage, all pointing toward the quiet realism that makes Spidey’s bright red-and-blue costume pop that much harder. The whole thing carries a cinematic calm, like the shot you get five minutes before everything goes wrong.
Teenage Mutant Ninja Turtles: Shredder #3 – Michele Bandini
Shredder stands alone in a sea of pure black, a void that makes the chrome of his armor almost too bright. Bandini uses small, sharp highlights to make each blade, edge, and angle on the suit catch the light as if photographed in a studio built for intimidation. His stance is grounded — feet planted, claws forward — but the faint white glow around him makes the image feel like he’s materializing rather than standing still. The red eyes give him that instant predator energy, but it’s the silence of the background that makes the whole piece feel theatrical, like a villain entering a stage he assumes is already his.
Best New Covers This Week 11-26-25
Battleworld #3 – Leinil Francis Yu
Leinil Yu fires this composition outward like someone detonated a star behind the character. The background is a burst of orange and white energy rays shooting in all directions, giving the entire scene a hypercharged velocity. The figure dives toward the viewer with hair whipping behind her, limbs extended, and expression locked into that Yu-brand grit. The reflective boots and gloves pick up streaks of the explosion behind her, adding to the sense that she has literally launched herself out of a blast radius. It’s dynamic, loud, and visually structured with the precision that defines Yu’s more explosive covers.
G.I. Joe: A Real American Hero #26 – Chris Mooneyham
Chris Mooneyham splits the cover into two long vertical panels flanking a central scene. On one side, a fully armed soldier stands ready, cast in dim, warm shadows that give him a gritty, old-school realism. On the opposite side, a ninja stands poised with his sword drawn, lit with cooler, sharper tones that make the edges of his armor stand out. Between them, a more traditional dojo-like chamber shows three kneeling figures facing a master, creating the visual suggestion of origin, discipline, and legacy. Mooneyham’s textured line work feels intentionally throwback, paying respect to the classic G.I. Joe aesthetic without looking dated.
Black Cat #4 – InHyuk Lee
This version of Felicia Hardy steps entirely out of the thief persona and into a more modern, sleek streetwear aesthetic. InHyuk Lee draws her walking forward mid-phone call, her hair perfect, her jacket cropped, and her entire outfit designed with a high-fashion athletic edge. The background is made up of geometric color blocks, giving the image a minimalist, editorial look. The shine on the material of her suit and pants is rendered with such careful gradients that it feels like you can almost hear the fabric move. Lee’s clean digital polish is on full display here — crisp, smooth, and stylish.
The Scorched #48 – Francesco Mattina
Mattina’s cover is pure nightmare fuel, which is exactly what his fans expect. The giant twisted creature takes up nearly the full frame, its skin a swirling mess of oily blacks and grays. The glowing red eyes burn like coals inside a skull made of shifting, nibbling shapes. The tendrils that spill out from its body twist into serpent heads with open mouths, giving the sense that every part of it wants to bite something. Mattina’s extreme highlights and oily textures give the piece that living-shadow effect he does so well.
Best New Covers This Week 11-26-25
Marvel Knights: The Punisher #2 – Michele Bandini
Bandini creates the illusion of a moment frozen between explosions. Frank Castle stands with one weapon held low and another slung across his back, illuminated by a massive blast behind him. The sky is filled with debris, flaming wreckage, and the silhouettes of bodies being thrown by the force. The orange glow wraps around Frank’s shoulders and jawline, giving him that hardened, resolute look — not angry, not screaming, just ready. Bandini draws him with the realism of someone who isn’t posturing but simply moving through violence like it’s familiar air.
Battleworld #3 – Philip Tan
Philip Tan’s cover erupts in tangled webbing, cosmic chaos, and symbiotic distortion. Spider-Man, mid-swing, has the unmistakable jagged-toothed grin of a symbiote twisting across his mask. The background is an abstract star field in purples, blues, and blacks, giving everything a floating, fractured depth. The webs are thick, rope-like, and wildly textured, almost organic in how they loop and stretch. Tan’s intense crosshatching and shadow layering give the whole cover a raw, almost heavy-metal aggression.
Infernal Hulk #1 – InHyuk Lee
Lee presents a much more controlled, grounded Hulk than the Nic Klein version. This Hulk steps forward with an intimidating steadiness, muscles rendered with hyperreal anatomical shine. His skin reflects the cool lighting from the geometric background blocks behind him. The purple tattered pants and heavy gauntlets give him a utilitarian look, but the clean, tight rendering makes him feel almost sculpted from polished stone. It’s a modernized, immaculate Hulk — the calm before the storm version.
Best New Covers This Week 11-26-25
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