NEW Covers This Week 8-6-25

NEW Covers This Week 8-6-25.
These comics are scheduled for release on August 6, 2025. As of now, we are not aware of any delays and cannot be held responsible for any unforeseen changes.

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NEW Covers This Week 8-6-25.
This week’s new comic covers aren’t just showing up—they’re showing off. From iconic poses to symbiote handbags and stoic stares of death, the art doesn’t play nice. These aren’t just pieces of cover stock—these are visual ambushes for the collector brain, forcing you to consider how many times you can justify buying a comic you won’t open. Cover artists this week pull no punches, literally and figuratively. Let’s get into the ones worth staring at… or hoarding.

Gwenpool #4 throws confusion and perfection at the same time. Chad Hardin gives us the emotionally drained Dark Gwenpool holding a dead Spider-Man on a rooftop, while ghost Gwenpool watches herself miss the moment. And because we can’t just have one version of trauma, Rickie Yagawa offers Gwenpool lounging in a Spider-Man black suit, casually reading Secret Wars with two issues sitting next to her like trading cards waiting to be sleeved. This is comic book collecting inception.

All-New Venom #9 by CF Villa demands a double take, and then another. Mary Jane just decided your attention was hers, wearing a dangerously high-cut crop top and sunglasses she’s about to slide down for your benefit. A father and son see what you see—but their eyes are on the pocketbook. Venom’s teeth and goo are either eating her purse or planning something worse. The best part? She’s smiling about it. She knows.

Amazing Spider-Man #9 from J. Scott Campbell wants you to know Mary Jane isn’t done yet. The full body shot of MJ with a Spidey heart shirt and Daisy Dukes is framed by an even larger portrait of the same image off to the side. It’s a flex, really. This isn’t cheesecake—it’s the entire bakery.

Absolute Superman #10 swings hard with two powerhouse covers. Giuseppe Camuncoli presents an explosive Superman, fists on fire, mid-run, with speed lines slicing through the scene like your wallet through your monthly budget. Tirso counters with an all-black background and an angry Superman in flight, fists clenched. No need for context—this Superman came to settle a tab.

Red Hulk #7 goes primal. Nic Klein shows Red Hulk mid-transformation, screaming with half his face still human—an unhinged visual with your face if someone swiped your variant copy. Then Geoff Shaw gives us a head-to-head showdown, Hulk and villain nose-to-nose, both letting out primal roars like it’s a yelling competition with only one loser.

Poison Ivy #35 by Chay Ruby breaks the fourth wall and points at you like you’re the problem. Her hair flows like fire, and her look says you either buy this comic or she’ll find your plant collection and poison it out of spite.

Storm #11 by Junggeun Yoon is electrifying, literally. Storm looks down on us like judgment day is today. Lightning hits from her fingers, her eyes are white, and her expression is locked in. It’s quiet. Too quiet. Then it strikes.

Ultimate Wolverine #8 by Andrea Sorrentino gives us a haunting portrait. The black background, blood-soaked claws, and the dead calm in his face—Wolverine isn’t angry. He’s finished. That calm tells you the violence already happened.

Absolute Green Lantern #5 has Tirso dropping a full-body Green Lantern leaping mid-punch. Her ripped jeans and crop top jacket scream 90s attitude. The glowing white Lantern logo in the back makes this punch feel like a cosmic mic drop.

Moon Knight Fist of Khonshu #11 from Philip Tan goes cloaked chaos. The cover is a swirl of cape, crescent weapon, and a night sky too calm to be trusted. It’s a close-up, but Moon Knight looks like he’s moving through shadows with zero mercy.

Blink and You’ll Miss It #1 by Rebeca Puebla creeps into psychological territory. Two girls look behind them in fear, one holding the other’s arm, while an oversized floating face in glasses looms in the foreground. You’re not sure what’s more terrifying—the threat or the fact that it’s unclear what that threat even is.

Uncanny X-Men #19 from David Marquez throws chaos at you, plain and simple. Deadpool and Outlaw are sprinting toward us, being chased by the entire X-Men team. You’ve seen running covers before—but this one might be the only one where you actually root for the people being chased.

Daredevil Cold Day In Hell #3 by Steve McNiven keeps it kinetic. Elektra is in mid-air, both swords out, red costume blaring against the pale cold background. There’s movement, there’s rage, and there’s no way that bad guy survives what’s coming next.

One World Under Doom #6 from J. Scott Campbell gives you full-body Doom with the iconic arms-crossed pose. He’s standing in defiance, while a ghostly large version of himself lurks in the purple mist behind him. Is it overkill? Yes. Is it majestic? Also yes.

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