Top 5 New Key Comics 11-19-25
Top 5 New Key Comics 11-19-25
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Top 5 New Key Comics 11-19-25
Every Wednesday brings a new wave of potential long-term collectibles, but some books clearly lean harder into the kind of experimentation, unpredictability, or outright insanity that collectors instinctively gravitate toward. This week’s lineup doesn’t just dip its toe into speculative waters; it jumps face-first into them. Cross-company clashes, genre-breaking monsters, myth-building Star Wars lore, and a new creator-owned contender all step into the arena. As always, collectors don’t chase stories—they chase significance. A first appearance, a final form, a franchise milestone, a crossover event nobody expected to see again… those are the sparks that ignite speculation. And this week offers all of that in concentrated form.
Here are the Top 5 New Key Comics you’ll want on the radar before everyone else decides they suddenly need them too.
Predator Kills the Marvel Universe #4
By the fourth issue of this series, any assumptions about “just another novelty crossover” have been thoroughly incinerated. This title taps directly into the nostalgic shock value of classic one-shots like Punisher Kills the Marvel Universe while layering it with the cold, methodical brutality that defines the Predator franchise. Issue four pulls the curtain back on a wider hunt, pushing deeper into iconic Marvel territory where recognizable faces don’t stand much chance.
Collectors tend to circle these kinds of series years later—partly because the premise is so unhinged it becomes timeless, and partly because Marvel rarely allows this level of cross-brand carnage. Whenever a Predator title gets this ambitious, there’s always the possibility of a standout kill sequence, a first Predator interaction with a major Marvel character, or even a Predator tech or armor variant that later gains traction. Long-term curiosity alone makes this an issue worth holding.
Godzilla Destroys the Marvel Universe #5
The final issue arrives swinging with a cover that announces itself immediately: the first cover appearance of a Marvel-ized Carnage-Zilla hybrid. Marvel has a long history of monster crossovers, but every once in a while, one of those events drops a design so wild the community can’t help but obsess over it. This fusion of symbiote horror with kaiju scale is exactly that.
Final issues in big destruction-driven crossovers often age better than expected, especially when a new form, transformation, or creature makes its debut. Carnage-Zilla checks every speculative box—first visual appearance, crossover novelty, and potential future callback material. Even if this monster appears nowhere else, that rarity only strengthens its appeal as a collectible. Decades from now, collectors will still bring up “that time Marvel let Godzilla merge with Carnage,” and issue #5 will be the physical evidence.
Top 5 New Key Comics 11-19-25
Star Wars Jedi Knights #9
Star Wars comics have always been the quiet incubators of ideas that later slip into canon through shows, novels, or games. Jedi Knights continues that pattern, with issue nine expanding power struggles, faction dynamics, and character motivations that feel primed to influence broader continuity later.
Mid-series issues in Star Wars titles are known for introducing subtle but meaningful lore—force techniques, minor characters, new planets, rising sects, or story beats that later explode in relevance once Lucasfilm decides to revisit that corner of the timeline. Collectors who understand this treat each issue like a possible seed of canonical importance. Jedi Knights #9 has that same energy of something building beneath the surface, making it a smart quiet pickup before any future spotlight reveals what this issue planted.
DC/Marvel Batman Deadpool #1
The very existence of this comic feels like watching two rival nations sign a treaty forged entirely out of chaos. Batman and Deadpool appearing together in a modern crossover isn’t just unexpected—it’s a moment that collectors will point to as a benchmark in comic history. Between legal complexities, brand protection, and corporate egos, books like this almost never happen anymore. And when they do, issue number one becomes an automatic high-priority collectible.
This launch issue represents the first chapter in a collaboration that fans believed was gone for good after the Amalgam era. The cover alone fuels speculation, but the real value lies in the long-term rarity of cross-company projects. Anytime DC and Marvel share the same page, collectors treat the result as a historical artifact. Batman Deadpool #1 fits so perfectly into that category that it needs no gimmick—its existence is the key.
Final Boss #1
Image Comics has built decades of success on creator-owned series that explode beyond expectations, and Final Boss #1 is engineered with that exact potential. With heavy 90s energy, supernatural undertones, and big, muscular chaos wrapped in modern vérité grit, this debut plants itself firmly on the watchlist for early-series speculation.
New Image number ones famously spike when the right combination of world-building, visual identity, and creator ambition hits at the same time. This issue feels like one of those possible inflection points. Between the stylized violence, occult hints, and distinctive aesthetic, Final Boss positions itself as a series that could easily develop a passionate following—exactly the sort of momentum that leads to early-printing value jumps.
Collectors know the rule: when Image launches something that looks like a franchise starter, you grab the first issue before the word spreads.
Top 5 New Key Comics 11-19-25
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