Best New Comic Covers This Week: A Bloody Thrill, A Sultry Creep, and a Transformation Breakdown
Best New Comic Covers This Week: A Bloody Thrill, A Sultry Creep, and a Transformation Breakdown.
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Best New Comic Covers This Week: A Bloody Thrill, A Sultry Creep, and a Transformation Breakdown.
There’s nothing subtle about this week’s new comic covers, and honestly, that’s the point. Subtlety doesn’t sell covers—blood, claws, fire, and an homage or two do just fine. Whether it’s mutant queens sitting on skulls, Iron Man turning into a murderbot, or indie tributes to a 1990s classic, artists are throwing subtlety in the trash and drawing the loudest, most striking things they can. And we’re here for it. These aren’t just covers—they’re flexes in printed form. Let’s take a look at the visual carnage and stylish chaos flooding comic shop shelves this week.
NEW THIS WEEK! – Cover Gem of the Week: Bring On The Bad Guys Doom #1 – Skan Srisuwan
Bring on the Bad Guys: Doom #1 by Lesley Leirix Li introduces a new villainess whose aesthetic screams ‘hellish glam.’ Her face is white with black liner tears, flames dancing behind her, and her costume is all dark charm and satanic flair. It’s the kind of character design that makes you want to know how quickly she breaks something important. West Coast Avengers #8 by Godtail is visual overload in the best way. Iron Man is mid-transformation into Ultron, which is not terrifying at all. His classic red and yellow armor is being eaten away, replaced by cold Ultron silver, and his repulsor is barely lit as if Tony’s last ounce of control is flickering out. There’s red light, white streaks, chaos everywhere, and not a single thing on this cover is calm. X-Men #18 from Corin Howell gives us Magik at her most appropriately named. She’s sitting on a giant skull, her sword plunged through it, blood trailing from the mouth like a grim warning. She’s looking at us like we’re next, and frankly, we believe her. Emma Frost The White Queen #1 by Mike Henderson gives us Emma from behind—because of course it does—with her arm extended toward an incoming Maestro who’s charging like he hasn’t learned anything about dealing with powerful telepaths. He’s already cracked the ground in front of her, but she hasn’t moved. She doesn’t need to. Her posture says it all: “Try me.” Aliens vs. Avengers #4 by E.M. Gist is pure panic art. Wolverine is falling backward, and three Xenomorphs are mid-attack. He’s cocking that arm back like he’s got one swing to end it all, claws out, chaos surrounding him. The raw movement, the layered threats—it’s like a freeze-frame from a nightmare that smells like blood and adrenaline.
Explore any red-highlighted links, artists‘ name, or comic covers to shop directly from all available eBay sellers now.
Explore any red-highlighted links, artists‘ name, or comic covers to shop directly from all available eBay sellers now.
Catwoman #77 from Dan Panosian delivers a quieter, darker suspense. Catwoman is sprawled flat against the door of a giant safe she just cracked, peeking out like she knows someone is coming to ruin her fun. The shadowy realism in the art makes it feel like a moment from a noir film—except this one stars a cat burglar with better taste in leather. Spawn: Deadly Tales of the Gunslinger #8 by Bjorn Barends keeps it grimy. A skull-faced Spawn smokes a cigarette like it’s his last, looking down with glowing green eyes and an energy that says he’s too tired for this but still going to shoot someone. The detail and lighting work here gives this undead cowboy a sense of dread that lingers. Avengers #27 by Luciano Vecchio knows exactly what it’s doing. A large portrait of Storm stares off to the side, while the full body version of her stares directly at us, lightning crackling around her. The dual-shot perspective with her black-and-yellow outfit against the glow makes it hard to look away. Zoo Jitsu Fighters #2 from Ale Garza doesn’t pretend it’s original, and that’s what makes it great. It leans directly into the Todd McFarlane Spider-Man #1 homage, with a white leopard/tiger hybrid character crouched on tree limbs instead of webs. Has this pose been done to death? Yes. Do we still want to buy it every time? Also yes. Moon Knight: Fist of Khonshu #9 by Davide Paratore makes it very clear Moon Knight isn’t having a great day. He’s crumpled on the floor, dripping blood, while a yellow-eyed villain—who’s also drenched in someone’s regrets—stands over him with fists like meat grinders. It’s the kind of cover that screams, “You’re going to need more bandages.” And for those who want less beatdown and more mystique, Paulo Siqueira steps in with a cover showing Moon Knight in mid-jump, hurling his crescent weapons directly at the viewer. His white suit pops with precision thanks to deep blacks and an intensity that only Moon Knight can pull off without blinking.
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