Best New Covers This Week 12-10-25
Best New Covers This Week 12-10-25
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Best New Covers This Week 12-10-25
This week’s wall of new comic covers is basically a gallery of artists collectively asking, “How dramatic can we get before the paper catches fire?” Between mutant rage, oversized demon jaws, street-level chaos, and turtles who look like they just bench-pressed a freight elevator, the shelves are stacked with covers screaming for collectors who love a little spectacle with their speculation. The focus keyphrase for this week is new comic covers this week, which sums up the chaos perfectly. Whether these covers end up as tomorrow’s auction darlings or just the ones you keep staring at because the art punches harder than half the characters, new comic covers this week are absolutely delivering. Let’s look at the standouts claiming space in your long box and your brain.
ABSOLUTE BATMAN #15 – Tyler Kirkham
Kirkham clearly woke up and chose “let’s give Batman a monster that could use a skyscraper as a chew toy.” This cover doesn’t just go big, it goes obscenely big, with Absolute Joker towering over Bruce like it just crawled out of the worst possible nightmare and immediately started a gym routine. The jagged teeth, bone ridges, and that uncomfortably long serpent body twisting around Batman create a scene that qualifies as OSHA-violating even by Gotham standards. Yet Batman leaps toward the beast anyway, because of course he does — the man’s allergic to reasonable decisions. This is the kind of spectacle that defines new comic covers this week, a reminder that subtlety is optional but giant jawbones are forever.
THE INFERNAL HULK #2 – Andrea Sorrentino
Sorrentino doesn’t just portray the Hulk — he dissects him in the most horrifying way possible. This cover looks like it was painted directly onto a fever dream. The split skull with that green, molten energy tearing through the middle practically hums with monstrous arrogance, like Hulk is seconds from laughing in your face and ripping a mountain in half. The glowing eyes and carnivore-level smile suggest therapy is off the table. If you’re hunting new comic covers this week that feel like they crawled out of a cosmic horror anthology, this one sets the bar.
SPIDER-MAN & WOLVERINE #8 – Martin Coccolo
Coccolo delivers pure kinetic chaos. Wolverine barrels forward like he smelled a fight three boroughs away, and Spider-Man swings above him like he’s trying to keep up with someone who literally cannot slow down. The alleyway blur behind them enhances that “good luck stopping these two” momentum. It’s the kind of comic cover that belongs on a metal lunchbox your parents wouldn’t buy because it looked “too intense.”
Best New Covers This Week 12-10-25
TEENAGE MUTANT NINJA TURTLES #13 – Clayton Crain
Crain paints the Turtles as if they’ve spent the last decade lifting cars for cardio. They descend from the shadows with that unified “we’re about to ruin someone’s night” readiness. The lighting from the city behind them creates an almost mythic glow, transforming sewer ninjas into urban legends. This isn’t just a cover — it’s a recruitment poster for anyone thinking they could take a Turtle in a fight. Spoiler: you can’t.
HAZCON #2 – Donny Hadiwidjaja & Ka Xiong
This cover is corporate disaster energy turned into visual poetry. A worker plummets through an exploding industrial nightmare, debris spiraling around him like the building is actively offended he existed inside it. The bright yellow caution banner practically screams, “Should’ve stayed home today.” If OSHA had comic covers, they’d look exactly like this.
YOUNGBLOOD #2 – Tyler Kirkham
Kirkham leans into ‘90s intensity with unapologetic enthusiasm. Muscles, weapons, glowing eyes, dramatic posing — it’s the spiritual equivalent of a guitar solo made of pure caffeine. Every character looks like they’ve been waiting since 1994 to jump onto this exact page, and now that they’re here, they’re fighting for real estate. It’s loud, it’s chaotic, and it’s exactly what Youngblood is supposed to be.
Best New Covers This Week 12-10-25
ALL-NEW SPIDER-GWEN: GHOST-SPIDER #5 – Francesco Manna
Gwen dives face-first into danger while a nightmare creature lunges right behind her, because apparently gravity and common sense no longer matter in her universe. The creature looks like someone crossbred a symbiote with a rabid scorpion bat. Gwen’s pose screams “this is fine,” while the art screams “no, it is decidedly not fine.” Gorgeous chaos.
MARVEL KNIGHTS: THE PUNISHER #3 – Yasmine Putri
Putri captures Frank Castle during what appears to be a normal Tuesday for him — standing over a carpet of bodies, gun in one hand, pulling a knife out of his arm in the other, and a gaze that says he’s already thinking about the next fight. The saturated reds and heavy shadows create a mood somewhere between noir and “please evacuate the building.” A masterclass in controlled brutality.
THE END 2099 #1 – Gabriele Dell’Otto
Dell’Otto paints a figure who looks like he crawled out of the shadows of a collapsing timeline. The lighting is harsh, the pose is sharp, and the atmosphere screams end-of-days operatic drama. If dystopia needed a spokesperson, this cover would be its headshot.
BATMAN AND ROBIN #28 – Taurin Clarke
Clarke throws Batman and Robin through a wall — literally — with shards of glass exploding around them in a moment of pure, dynamic motion. Robin leads the charge with unearned confidence while Batman lands right behind her like a parental safety net with a cape. It’s action-movie energy refined into a single frame.
Best New Covers This Week 12-10-25
BATMAN: GOTHAM BY GASLIGHT – A LEAGUE FOR JUSTICE #6 – Christian Ward
Ward’s moody, atmospheric style transforms Gotham into a celestial backdrop. Batman and a shadowed figure float in combat above the city, silhouettes illuminated by cosmic fire. It’s haunting, it’s dreamlike, and it’s the kind of cover you stare at and wonder whether the Victorian era really deserved Batman. (It did not.)
WONDER WOMAN VS. LOBO #1 – Dan Panosian
Panosian crafts a cover that feels like the prelude to a disaster date. Wonder Woman looks unimpressed, confident, and about one breath away from launching Lobo through the nearest wall. Lobo, meanwhile, leers behind her like a biker troll who’s about to make the world’s worst romantic gesture. The tension is deliciously uncomfortable.
AMAZING SPIDER-MAN #17 – Lee Bermejo
Bermejo abandons heroics for slice-of-life voyeurism. Peter clings outside a window, staring at a room full of emotional shrapnel — Gwen brooding, Mary Jane restless, and Peter Parker’s civilian life folding into awkward domestic chaos. It’s unsettling, grounded, and far too relatable for anyone with an unresolved group chat argument.
GREENHORNS #3 – Athila Fabbio & Pete Pantazis
This cover perfectly captures “child who absolutely should not be trusted.” A young boy points finger guns with all the swagger of someone who’s been grounded for life but still thinks he won. The exaggerated foreshortening makes him feel larger-than-life — or at least larger than your patience.
PUNCHLINE #16 – Tom Derenick
Derenick sends Punchline soaring through a glowing neon skyline like she’s auditioning for the most chaotic halftime show ever conceived. The city lights ricochet off her suit, turning her into a streak of polished attitude cutting through the air. Her expression isn’t a smirk so much as a declaration — she fully expects the world to rearrange itself around her arrival. The red targeting symbol splashed across the scene doesn’t faze her in the slightest, because of course it doesn’t; Punchline operates on pure confidence and the unwavering belief that she’s the gravitational center of this entire universe. The whole composition pulses with motion, ego, and electric swagger.
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