Best New Covers This Week 12-24-25
Best New Covers This Week 12-24-25
These comics are scheduled for release on December 24, 2025. As of now, we are not aware of any delays and cannot be held responsible for any unforeseen changes.
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Best New Covers This Week 12-24-25
Final Boss #2 cover art by Marc Silvestri looks like it was sketched in a moment of controlled violence and then left exactly that way on purpose. The heavy black linework, rough anatomy, and blood splatter feel less like decoration and more like evidence. The figure is mid-guard, fists raised, face partially obscured, as if Silvestri wants the emotion to stay unresolved. The red gloves and splatter break the white space just enough to keep your eye bouncing around the page, making this feel raw instead of polished. It reads like a statement that refinement is overrated when intensity does the job better, and for collectors, this kind of stripped-down brutality tends to age well on a wall or slab.
King Spawn #52 cover art by Kael Ngu goes full operatic villain throne energy and does not apologize for it. Spawn sits center frame like a ruler who already won, surrounded by hellish architecture, glowing weapons, and a color palette that screams dominance. The green energy on one side and red on the other creates a visual tug-of-war that keeps the composition alive instead of static. Ngu’s detail density rewards repeat viewing, which is exactly what collectors want from a premium Spawn cover. This feels designed to be remembered, revisited, and compared to earlier era Spawn throne moments.
Best New Covers This Week 12-24-25
Star Wars #8 cover art by Nogi San strips the galaxy down to clean shapes and graphic confidence. The central figure walks forward with weapons drawn, perfectly framed by the Rebel symbol that doubles as both background and narrative weight. The minimal color choices keep the focus on silhouette and attitude rather than spectacle. It feels modern, deliberate, and built for long-term visual appeal instead of quick hype. For Star Wars collectors, this kind of design-forward cover tends to quietly outperform louder alternatives over time.
Superman #33 cover art by Sebastian Fiumara feels mythic without leaning on nostalgia shortcuts. The low angle, glowing chest emblem, and cosmic lighting make Superman look less like a person and more like a constant. The texture in the paint and the almost molten lighting give the image gravity, like something ancient being observed rather than introduced. Fiumara’s approach sells power through restraint, which is often what separates a forgettable Superman cover from one collectors keep circling back to.
The Will of Doom #1 cover art by J. Scott Campbell goes full ensemble showcase and knows exactly why it exists. Every major character is positioned for maximum recognition and visual clarity, creating a controlled chaos that rewards familiarity. Campbell’s polished lines and confident posing make this feel like a modern poster moment, the kind of cover that instantly becomes the default mental image for the event. From a collecting standpoint, these large cast Campbell covers tend to define an era whether you love them or pretend you don’t.The
Will of Doom #1 Knullified variant cover art by Ryan Stegman leans hard into motion and aggression, turning Doom into something feral and corrupted. The forward lunge, clawed hand reaching out of the frame, and symbiote textures give this cover urgency instead of ceremony. Stegman’s lines feel sharp and unstable in a way that suits the concept, making this look like a transformation you weren’t meant to witness safely. Knullified variants already carry attention, and this one looks built to stay relevant in conversations long after release.
Best New Covers This Week 12-24-25
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