New Cover Gems of the Week 12-24-25
New Cover Gems of the Week 12-24-25
These new comics are scheduled for release on December 24, 2025. As of now, we are not aware of any delays and cannot be held responsible for any unforeseen changes. Explore any red-highlighted links or comic covers to shop directly from all available eBay sellers now.
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NEW POST – Hot New Comics 12-24-25
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Last Week – Hot New Comics 12-17-25
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New Cover Gems of the Week 12-24-25
Cover Gem of the Week settles into that uncomfortable space where you are not sure if you should admire the craftsmanship or quietly step away, and that is exactly why it works.
The Hello Darkness #17 cover by Jenny Frison leans fully into that slow-burn unease she has mastered over years of making horror feel elegant and personal. A blue-toned figure stares forward with glowing red eyes that look less supernatural and more knowingly bored, like she has already seen the outcome and is waiting for you to catch up. The lollipop reveal is where Frison does her damage, replacing childish comfort with something wet, organic, and wrong, an eyeball melting down the stick like innocence was never invited to begin with. There is no motion, no chaos, just a clean, centered composition that dares you to keep looking. It is horror without screaming, and that restraint makes it linger longer than most covers that try too hard to shock. From a collector standpoint, this is the type of image that ages well because it is not chasing trends, it is committing to mood, and Cover Gem of the Week collectors know those are the covers people circle back to years later.
New Cover Gems of the Week 12-24-25
On the other end of the emotional spectrum, The Amazing Spider-Man #18 cover by Lee Bermejo delivers operatic tragedy turned up to eleven, because subtlety is not the assignment here. Bermejo stages Spider-Man mid-collapse, cradling an unconscious Mary Jane as the Green Goblin descends from the sky like a personal vendetta given wings. The sky burns with end-of-the-world colors, the architecture cracks beneath the weight of the moment, and Peter’s posture says everything about responsibility arriving too late. Bermejo’s painterly realism makes the scene feel less like a comic and more like a frozen frame from a very expensive disaster film, one where you already know the audience is arguing about this moment online. This is superhero drama built for impact, the kind of cover that reminds collectors why certain Spider-Man issues never truly cool off. Together, these two covers define Cover Gem of the Week by proving that tone matters more than genre, whether it is quiet horror or explosive tragedy, both covers understand how to stop you mid-scroll and make you stare longer than planned. That is the real value here, because Cover Gem of the Week is not about noise, it is about images that stick, and both of these do that with very different knives.
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