Three Epic Homage Covers Drop This Week: Spider-Man vs Predator, Ms. Marvel Fades, Wolverine Crucified Again
Three Epic Homage Covers Drop This Week: Spider-Man vs Predator, Ms. Marvel Fades, Wolverine Crucified Again.
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Three Epic Homage Covers Drop This Week: Spider-Man vs Predator, Ms. Marvel Fades, Wolverine Crucified Again.
This week, comic fans are being served a triple scoop of nostalgia layered with artistry as three new homage covers drop—and each one pays tribute to an unforgettable moment from Marvel’s vault. Whether you’re a collector, a critic, or just someone who knows greatness when they see it, these covers blend legacy with fresh perspective in all the right ways.
Let’s start with the battle that defined a generation. In 1986, Mike Zeck gave us Captain America Annual #8, a cover that’s practically an adrenaline shot to the eyeballs. Cap and Wolverine going claw-to-shield. It wasn’t just iconic—it was raw comic book theater. This week, artist Paulo Siqueira channels that same gritty energy, but with a twist: instead of allies colliding, we get a full-on clash of bitter enemies. Spider-Man vs. Predator. Yes, you read that right. It’s a face-off that no one saw coming, but now can’t unsee. Siqueira taps into Zeck’s dynamic framework while throwing us into a crossover brawl that feels mythic and slightly dangerous. It’s vibrant, it’s tense, and it might just make you wonder who’ll walk away—and who’ll limp back through the rooftops of New York.
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Then there’s the whisper that shook the world: “No more mutants.” Back in 2005, Joe Quesada’s cover for House of M #1 set a tone of melancholy wrapped in chaos. Wanda Maximoff, barely holding herself together, faded into the narrative like a ghost that haunts reality itself. Fast forward to 2025, and Phil Noto brings that emotion forward into a haunting echo. His take doesn’t give us Wanda, but Ms. Marvel—slowly fading, a visual metaphor for displacement and identity. Noto’s watercolor sensibility captures what Quesada ignited: the aching tension between power and loss. The homage is subtle, yet emotionally atomic. You can practically hear reality warping at the edges of the page. Giant Size House of M #1.
And finally, we journey to one of Wolverine’s darkest hours. Marc Silvestri’s 1989 cover for Uncanny X-Men #251 gave us Logan crucified on an X, beaten but unbroken, surrounded by post-apocalyptic dread. It was violent poetry—an image that defined resilience under pressure. This week, Humberto Ramos steps in with his own interpretation. His style, known for its expressive motion and kinetic shapes, gives this homage an eerie energy. This time, Cyclops is front and center on the X. Ramos doesn’t copy Silvestri’s grit; he reconstructs it with emotional electricity. You feel the desperation and pain. X-Men Age of Revelation #0.
Three covers. Three artists. Three timeless moments revisited with a modern lens. If homage covers are a love letter to comic history, these are bold declarations written in fire and ink. Collectors, sharpen your sleeves—this week isn’t just about buying covers. It’s about reliving legends.
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