New Cover Art This Week 12-3-25
New Cover Art This Week 12-3-25
These comics are scheduled for release on December 3rd, 2025. As of now, we are not aware of any delays and cannot be held responsible for any unforeseen changes.
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New Cover Art This Week 12-3-25
This week’s lineup of new comic covers feels like the publishers collectively decided subtlety is overrated and spectacle is the only acceptable form of communication. Every artist comes in swinging with energy levels normally reserved for summer event finales, transformation sequences, or someone trying to win an argument on the internet. You get cosmic glow-ups, volcanic power surges, redesigns sharp enough to void a warranty, and at least one character who looks moments away from taking out their frustrations on an entire postal code. It’s a heavy mix of attitude, style, and artistic flexing, all engineered to remind collectors why covers remain half the reason our shelves keep getting fuller.
Superman vs Captain Atom #1 – Sean Izaakse
Izaakse stages a nuclear-level stare-down disguised as a slugfest, with Captain Atom charging forward like a living detonation and Superman reflected across Atom’s chrome forearm in perfect, ominous clarity. That reflection is the entire mood of the cover—Superman’s eyes blazing red and white, expression locked somewhere between warning and restraint, like he’s powering up but hasn’t decided whether this is a lecture or a catastrophe. Captain Atom’s fist winds back, crackling with volatile orange energy, ready to throw a punch that might vaporize the nearest county. The orbiting power spheres, lightning-like fractures, and raw, unstable glow make the whole scene feel like a collision the universe has been dreading. It’s tense, cinematic, and driven entirely by that chilling mirrored image of Superman watching it all happen.
Doctor Strange #1 – Joëlle Jones
Joëlle Jones delivers a sharp, kinetic mashup of Strange and Clea energy. Strange stands behind a tall, mystical pillar split between light and shadow as Clea charges forward in brilliant gold armor, blade raised and eyes glowing with the kind of confidence that terrifies enemies and husbands equally. The swirling cosmic patterns, floating orbs, and symmetrical layout give this the vibe of an astral battlefield choreographed for collectors who never complain about too much detail.
Poison Ivy #39 – Chay Ruby
Chay Ruby paints Ivy with the exact level of gorgeous danger her fanbase expects. Draped in thorned vines and blooming petals, she leans over a gravestone like she’s posing for the most unsettling nature-documentary cover ever filmed. Her vibrant red hair flows like a spell, her expression mixes allure with “I could end you with a single thought,” and the lush, overgrown cemetery creates the perfect backdrop. It’s seductive, eerie, and basically a seminar on why you don’t mess with botanical royalty.
Fantastic Four #6 – Marvel Rivals Cover
This Rivals variant gives you the full battle-ready version of the same character, but now with every spike, plate, and strap emphasized like a warning label. One bare foot hits the ground, the other armored and wrapped in jagged hardware. Her stance is confident, her expression relaxed in that “try something, see what happens” way, and the giant spiked rings and blade ornaments turn her into a walking hazard rating. Minimalistic framing makes her pop even harder.
Doctor Strange #1 – Taurin Clarke
Clarke brings textbook cosmic elegance: Clea looms in the background in giant ethereal form, glowing gold eyes fixed forward while shards of reality float around her. Doctor Strange himself dives into the foreground, spell-circles blazing around his hands in the classic “I definitely know what I’m doing” stance. The lighting is gorgeous, the dimension-fracturing effects dramatic, and the contrast between Clea’s serene intimidation and Strange’s mid-action determination turns this into an instant standout.
Ultimate X-Men #22 – Olivier Vatine
Vatine delivers a pure adrenaline scene: a high-speed motorcycle burst out of an explosion with the rider holding a katana like traffic rules are a myth. Debris flies. The tires skid. The background is a vortex of smoke, fire, and ink-dot textures that scream retro-punk energy. The rider’s tattooed arm, wrapped hand, and militant expression complete the vibe of someone who didn’t just escape a bad situation—they created one.
Venom #252 – Cory Smith
Cory Smith unleashes a nightmare fusion of Venom and Spider-Man swinging through New York while casually kidnapping two terrified civilians. The suit is a grotesque mesh of symbiote sinew and classic Spidey webbing, stretched over a too-wide grin that screams “this is not your friendly neighborhood anything.” The buildings tilt dramatically, the webline snaps taut, and the color palette nails the unsettling mood. It’s chaotic, unhinged, and exactly the kind of cover that makes collectors say, “Yeah, that’s going on the wall.”
Doctor Strange #1 – Fanyang
Fanyang paints Clea in golden warrior mode, walking through fire and moonlight like she just conquered an entire dimension before breakfast. Her armor glows, her hair floods the sky behind her like a cosmic flame banner, and the ground at her feet still burns from whatever she annihilated two minutes ago. Twin moons hang behind her, the sky cracked with embers, and the entire scene screams “elegant apocalypse.” It’s regal, deadly, and effortlessly dramatic, which is exactly how Clea prefers things.
New Cover Art This Week 12-3-25
Fantastic Four #6 – J. Scott Campbell
Campbell leans into precision and polish with a cover featuring a sleek character design built around thorns, spikes, leather, and strategic menace. The mesh panels, the asymmetrical leg armor, the spiked gauntlets, and the coiled blade weapon create that signature Campbell balance of elegance and danger. With a stark red background block behind her, the character practically steps off the page like she’s about to audition for the role of “villain your team should’ve stayed home to avoid.”
Binary #3 – Daniele Dinicolo
Dinicolo turns Binary into a walking solar flare with attitude. She’s practically boiling over with magenta-and-orange cosmic power, hair whipping into fire-tornado shapes, fists glowing like they could vaporize a small moon, and an expression that says she’s absolutely enjoying the idea. The thick, electric brushstrokes and saturated palette give this the energy of a music festival headliner who showed up armed with star-level combustion instead of a backup band. It’s loud, it’s hot, and it knows exactly how good it looks.
The Terminator: Santa Claus Is Coming to Town #1 – Reese Hannigan
Reese Hannigan gives you a holiday cover created by someone who clearly enjoys chaos. A Terminator stalks through a snowy forest wearing a Santa coat and hat, glowing red eyes cutting through the blizzard while shell casings fly in every direction. The mix of festive cheer, heavy weaponry, and murder-robot energy is so aggressively contradictory that it loops right back around to being perfect. This is the Christmas card Skynet sends.
Amazing X-Men #3 – Miguel Mercado
Mercado drops the X-Men into a swamp that looks like it was designed by someone who hates comfort. Cyclops leads the squad waist-deep through murky yellow water while the shadows beneath them suggest they are absolutely not alone. Beast crawls ahead like something feral, Angel stands behind them with an expression that says he’d rather be anywhere else, and Juggernaut trudges forward like this is all somehow Scott’s fault. The haze, the muted colors, and those glowing red eyes below the surface create that perfect horror-tinged “this mission is already going wrong” atmosphere X-fans love.
Doctor Strange #1 – Marvel Rivals Cover
This Rivals design sheet goes full “developer artbook,” presenting Clea in an armored, heavily stylized build that looks engineered to solo an entire raid boss. Every piece of her gear is mapped out: the segmented greaves, the golden chestplate, the massive shoulder armor, the blade that may or may not be legally classified as a war crime. It’s all posed on graph-paper backdrop like someone is daring you not to appreciate the craftsmanship. It’s less a cover and more a power move.
New Cover Art This Week 12-3-25
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