Best NEW Covers This Week 7-16-25
Best NEW Covers This Week 7-16-25.
These comics are scheduled for release on July 16, 2025. As of now, we are not aware of any delays and cannot be held responsible for any unforeseen changes.
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This week’s new comic covers drop subtlety like it’s dead weight. Artists deliver everything from cosmic skull explosions to Bizarro-laced hero nightmares, with a touch of streetwear Flash for good measure. It’s like the cover art department collectively said, “Let’s mess with them a little.” Whether you’re collecting for the art, the character, or the pure speculative potential, these are the best new comic covers hitting shelves this New Comic Book Day. Let’s break down which ones you’ll stare at longer than you’d admit.
Best NEW Covers This Week 7-16-25.
Absolute Flash #5 by Haining takes a much-needed detour from lightning bolts and full-body spandex and instead throws Barry Allen into plainclothes right in the spotlight. Around him swirl action poses of Flash in various states of speed, but Haining drops an anime aesthetic that makes it feel like Flash just stepped out of a Tokyo subway and into a multiversal sprint. A true grab for anyone chasing those variant vibes with anime value baked in.
X-Men Age Of Revelation #0 by Ryan Stegman goes full panoramic insanity with a gatefold cover crammed with everyone who’s anyone for this mutant event. But the punch comes at the back end—literally—where Wolverine dons a silver metallic mask looking like Magneto cosplaying Logan. It’s loud, ambitious, and demands wall space. Collectors who chase first chapters of new eras should already be sweating.
Batman Superman World’s Finest #41 from Dan Mora unleashes a Bizarro fever dream that finally gives Batman his “rage monster” face. Everyone’s warped, twisted, or just straight up wrong, but it’s Mora’s signature clean chaos that makes it all work. These Bizarro variants tend to move, so don’t be surprised when this one sells out.
Titans #25 by Pete Woods goes full symmetry on us with villains staring up while their heroic reflections stretch below. Deathstroke/Nightwing steals the show—if mirror match covers are your thing, this is a standout piece of art with clean execution and speculative edge tied to its symbolic layout.
Spider-Girl #2 from Nogi San strips everything down into black, white, and one single dash of red. Lady Bullseye looks completely unbothered, holding her sword with surgical poise. The minimalism screams confidence and pairs beautifully with that red fan to pull your eye. Expect fans of noir covers and martial art aesthetics to zero in.
Robin & Batman Jason Todd #2 from Guillem March gives us a full-page close-up of Robin that feels like he’s staring into your questionable life choices. Meanwhile, Batman, Alfred, and Nightwing hover to the right like disapproving family portraits. If you’re emotionally unstable and collecting covers—this one’s calling your name.
Batman and Robin Year One #9 by Frank Quitely is all about the perch. The Dynamic Duo brooding on a gargoyle in Gotham? Sure. But it’s the negative space, the lack of visible city, that makes this pop. Quitely’s detail hits right in the nostalgia while offering a modern take worth bagging and boarding.
Bring on the Bad Guys: Abomination #1 from Lee Bermejo delivers pure brute tension. Abomination looks like he’s about to unhinge and eat the artist, but the real flex is Hulk’s off-frame hand making an appearance. It’s subtle intimidation—and Bermejo’s texture-heavy realism turns this into a mood.
Krypto The Last Dog of Krypton #2 by Jae Lee pulls no punches in showing Krypto being bribed with a hotdog. Meanwhile, the human is hiding a bearclaw and handcuffs behind their back. This feels like a trap, and we’re all Krypto. Jae Lee makes it weird, eerie, and speculative in a “someone’s gonna write fanfic about this” way.
Marvel Knights: The World To Come #2 by Taurin Clarke uses minimal color and a lot of presence. We’re looking up at Black Panther, but the greyish-white background sets him apart like a shadowed god. Clarke knows how to deliver elegance without sacrificing threat. Frame-worthy and sneakily collectible.
Godzilla Destroys the Marvel Universe #1 by E.J. Su doesn’t hold back. Godzilla’s tearing up New York again, but Su focuses close—the crumbling windows, the chopper hovering too close for sanity. It feels like a monster movie paused at just the right second. Covers like this often get reprinted to death, so first prints are the move.
Ghost Pepper #1 by Kael Ngu introduces Loloi in a mugshot pose that practically begs for a live-action adaptation. She holds her name card under a police height wall like she’s thrilled to be arrested (sarcasm). Ngu’s line work hits hard, and new characters like this? They’re a speculator’s daydream.
King Spawn #48 by Kibar shows our hellish antihero looming on a rooftop as the sun strains to push through a burnt-orange sky. It’s all mood—dark, layered, and built for fans who prefer their covers with a side of slow-burn rage. Spawn collectors should already have this on their radar.
Death of the Silver Surfer #2 from Dike Ruan turns Galactus into cosmic dust. Literally. His helmet and skull are blown apart mid-space with pieces drifting while Silver Surfer just… watches. Ruan delivers cosmic decay at its finest and wraps it in a visual you won’t soon forget. This one needs a place in your collection.
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