Cover Gem of the Week: Red Hulk #4 – Ken Lashley
Cover Gem of the Week: Red Hulk #4 – Ken Lashley
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Cover Gem of the Week: Red Hulk #4 – Ken Lashley
Well, if you ever wondered what “bad day” looks like for a supervillain, Ken Lashley has your answer—and it’s Doctor Doom bent like a glow stick across the shoulders of a very, very angry Red Hulk. This cover doesn’t whisper rage. It roars it. Lashley delivers a visual masterclass in sheer muscle carnage, with Red Hulk mid-spine-snap, lifting Doom in a position that would make any chiropractor retire on the spot. The twisted limbs, the violent arc of Doom’s back, and the crackling electricity exploding from his torso?
Let’s be honest—Red Hulk #4 isn’t just a cover, it’s a televised warning not to mess with gamma-powered rage tanks. Ken Lashley doesn’t just draw Red Hulk furious—he draws him in the middle of literally folding Doctor Doom like bad laundry. Doom’s armored limbs are being yanked in opposite directions like he’s the world’s most unlucky action figure, while electricity erupts from his contorted body as if his insides just gave up trying to make sense of physics. Red Hulk is all rage, no chill, and Lashley captures that chaos with spine-snapping intensity. The expression on Red Hulk’s face? Pure fury. The message to Doom fans? Send flowers, and maybe a new spine.
Ken Lashley is a Canadian comic book artist who broke into the industry in 1993 with Excalibur at Marvel Comics and quickly proved that his bold, kinetic style was here to wreck shop. Since then, Lashley has worked for every major publisher you care about—DC, Marvel, Image, Dark Horse—delivering standout work on titles like X-Men, Black Panther, JLA, Green Lantern, Suicide Squad, and Hulk. His signature is hard to miss: high energy, muscular dynamics, and covers that feel one punch away from breaking your shelf. But Ken doesn’t stop at comics. He’s designed toys and packaging art for Hasbro, Mattel, and Lucasfilm, contributing to iconic lines like Marvel Legends, Transformers, G.I. Joe, Star Wars, and Spider-Man. He’s even been nominated for an Emmy thanks to his animation and design work for Fox Sports, because apparently just dominating comic art wasn’t enough. In recent years, his covers for books like Venom War: Wolverine, Predator vs. Black Panther, and Venom War: Carnage continue to prove he’s got zero interest in slowing down. Lashley’s style is unmistakable, unrelenting, and often, like in Red Hulk #4, unforgiving to anyone caught on the wrong end of the artwork.
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